Photography Tips & Tricks: How to Hide Flashes in the Photo

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A beautiful woman holding a lantern peers out into a swamp at dusk.

The flashes used to light the models in this mysterious swamp scene at dusk are hidden in the lanterns in the photo. Purchase prints or license this image.

I had this image in my head for some time – a beautiful young woman in a boat, deep in a Florida swamp at dusk. She’s holding a lantern, peering out into the darkness, searching for something. But what?

I enlisted McKenzie Burleigh, a model with whom I’ve worked several times in the past, to pose for me as the beauty in a cypress swamp outside of Tallahassee. Accompanying her was Ed Tiley, a local actor, posing as a drunkard with her in the boat.

The swamp scene and models are too dark without the flashes.

The exposure with no flash.

I positioned them in the boat among the trees in the evening and shot beyond sunset, dragging the shutter to draw out the fading ambient light. The problem with shooting people with a slow shutter speed is that even slight movements of their bodies will cause motion blur. I needed to light them with flashes to not only add fill light on them in the backlit scene but to prevent blur. The other problem is I’m out in the swamp, in the water, so setting up lights on stands would be difficult.

Instead, I used speedlights (small, hotshoe flashes) hidden inside the lanterns in the scene, triggered with radio slaves. The short flash duration of the strobes froze the models in place despite the slow shutter speed of about 1/5 second. (Tip: You can hide flashes in other lights in typical scenes, such as in lamp shades, for greater control of your shot, and to provide natural-inspired lighting).

I made the lanterns from home exterior lights by gutting the electrical innards and modifying them to hold the flashes. The speedlights are gelled with 1/2 cut CTO (Color Temperature Orange – a full cut converts daylight to tungsten) for warmth and are aimed straight up. I lined the top of lanterns with aluminum foil for bounce and taped copy paper to the sides of the lanterns on the inside to diffuse the light like a small softbox and to hide the flashes. This setup was not very efficient when it come to output, but it was just enough to work. The flashes were on manual at very near full power.

The image from this photo shoot may be purchased or licensed here.

My talented videographer friend Carlin Trammel, of Stormspeed Entertainment, made this two-minute behind-the-scenes video of the shoot.

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5 Responses

  1. Tim Skipper
    August 30, 2010

    Excellent,

    I read your bio and seen you assisted Joe McNally. He is my mentor though he has no idea who I am. I follow everything he teaches religiously. My style is very different, but I always look for ways to incorporate something he taught in what I’m doing.

    You’ve got an excellent body of work, I found you through Sara in Destin. Her and I have shot together often (though lately we play more than we shoot) anyway I just wanted to tell you how great the images looked. Also I fully plan to steal the lantern idea. I have no shame.

    Reply
    • Scott
      October 11, 2010

      Thanks, Tim! Joe is a wealth of knowledge. He recently wrote another book, too. Sara is great; I’ve photographed her a couple times now. She’s in the current issue of Emerald Coast Magazine. Let me know what you come up with with the lanterns.

      Reply
    • Tim Mielke
      April 12, 2012

      I like Scott Kelby’s training too. I like how Joe steps thru the behind the scenes. It was valuable to my learning too.

      Reply
  2. Enrique San Roman
    October 11, 2010

    Interesting setup for this shot. The BTS video is well put together. I like the warm tones of the lanterns in contrast with the mood of the scene.will definitely bookmark your site.

    Reply

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