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Fine art photography exhibition: The Council on Culture & Arts' Photofest 2021 at the Artport Gallery in Tallahassee International Airport.

By Scott Holstein

Filed under: Landscape Photography

I am flattered to be able to announce that one of my Tallahassee canopy roads photographs, Old Magnolia Road 1, was selected for inclusion in the Council on Culture & Arts, Tallahassee/Leon County’s (COCA) Photofest 2021. COCA’s Photofest is an annual, juried, fine art photography exhibition in the Artport Gallery in Tallahassee International Airport at 3300 Capital Circle SW. Old Magnolia Road 1 is on display as a 30” x 40” metal print. If you have been curious as to how one of my metal prints looks in person, be sure to check out Photofest 2021 to see it and…

Firefly photography in the mountains at sunset.

By Scott Holstein

Filed under: Landscape Photography

This past summer while in the mountains of West Virginia, I stumbled upon an amazing scene one evening. I had taken a drive in the country not too far from the famous resort, The Greenbrier, in White Sulphur Springs. I was in an area with lots of fields butting up to the Monongahela National Forest where we often go deer viewing before sunset. However, this time, as dusk approached, a different critter appeared in numbers. As the fields darkened, thousands of fireflies began twinkling, from down low in the grass to up in the tops of the trees. It was…

Dr. Thomas Kent

By Scott Holstein

This past February, I had the pleasure of creating environmental portraits of Dr. Thomas Kent “T.K.” and Virginia “Ginger” Wetherell on their farm in Lamont, Florida. T.K. was president emeritus of Florida State University (and an alumnus), former president of Tallahassee Community College, and a former House Speaker in Florida’s House of Representatives. Ginger is a former state legislator and lobbyist.  I photographed the Wetherells alongside the winding, white fence in front of their home near Tallahassee, Florida. They were flanked by beautiful, Spanish moss-draped live oak trees. T.K. and Ginger were very kind during our photography session together and…

Laurie Hood of Alaqua Animal Refuge cuddles with two puppies.

By Scott Holstein

Alaqua Animal Refuge and its founder, Laurie Hood, will be featured in a new television series on National Geographic’s network, Nat Geo Wild, along with Walton County Sheriff’s Office’s Criminal Investigator Breezy Adkinson. The series, “Animal PD,” premieres on April 14th at 9:00PM. About the photo:Placing the subjects in the shade gave me easier control over the lighting than if they were in direct sunlight. A large octa softbox at camera-right provided a soft boost of light. If no shade is available, sometimes a large softbox can both shade and light the subject. A daub of peanut butter on Laurie’s…

Wayne Rogers portrait in Florida. Rogers was an actor most known for playing Captain “Trapper” John McIntyre on M*A*S*H.

By Scott Holstein

Wayne Rogers has passed away. He was an actor most known for playing Captain “Trapper” John McIntyre on the M*A*S*H television show of the 1970s. Also an investor, Rogers was more recently a regular panelist on the Fox News Channel show, Cashin’ In. I took portraits of Rogers several years ago for a cover story in Emerald Coast magazine written by Scott Jackson. I photographed Rogers at his beach condo in Destin, Florida, during Jackson’s interview. He was kind and laid back, giving us plenty of time to complete the interview and get the photos we needed, and he even…

A detective in a fedora lights a cigarette at night in front of glowing street lights in a dramatic portrait.

By Scott Holstein

I’ve previously written about how to have flashes visible within the frame. In this post, I’ll discuss hiding the light source within the frame. This image was shot in downtown Tallahassee, Florida, using traffic lights and other street lights to form the background. These lights are turned into glowing globes by using a large aperture (f/4.0) and a longer focal length (200mm) while keeping the subject (and focus) close to the camera. The ambient lights dictate my exposure. I used four speedlights to light James, our detective model. The trick to this shot is that his cigarette “lighter,” which is…

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